Practice
White stroke gray O #2 , 385 * 385 * 415(mm), glass, 2025








encounter 6 , 228 * 228 * 230(mm), glass, 2024








방황 , 710 * 710 * 30(mm), glass, 2024







settled stroke #2 , 860 * 350 * 30(mm), glass, 2024






White stroke O , 230 * 230 * 230(mm), glass, 2024









White stroke black P  , 260 * 260 * 315(mm), glass, 2024














INBEOM SONG
more Song Inbeom explores his connection to materials through a pictorial endeavor reminiscent of brushing paint onto a three-dimensional canvas. Song focuses on the material phenomena that occur in the process of stroking across a glass vase still charged with thermal energy, and his final works convey the sensory experience of this process. The strokes in his works are a medium that exists in relation to another space or realm, and the porous relationality between the two realms is embodied through the properties of glass. The vessels which bear witness to  brush strokes  capture the event of the encounter between one glass surface and another, as well as the viewer’s perception of the experience.  





inbom67@gmail.com
Contact



Instagram


Education


2024 Kookmin University's Glass Formation Department (MA)


2022 Cheongju University Department of Craft Design (BA)



Exhibitions  


2025. 05  Révélations Biennial Paris CHEONGJU CRAFT BIENNALE(Grand Palais, Paris )



2025. 05 일렁이는 선, artspace qualia,(Pyeongchang 11-gil 41, Seoul )



2025. 02  Small Things, Big Difference, The Hyundai Seoul 4F (Andar Store)



2024. 10 The language of craft,  Suzhou Museum of Woo, Traveling Korean Arts, Shanghai Cultural Center,( Museum of Woo, China)



2024.09  ‘Meet the hot glass’ CSIC, ( 297-1 Cheonsong-dong, Yeoju-s , Korea)



2024. 07 Art Check - In, Hyundai Department Store Apgujeong  5F Salon de H, Korea



2024. 07  ‘Gyeol: Entwined Connections’, seochon lounge,  (27-4 Pilundaero, Jongno-gu, Seoul)



2024. 06  KOOKMIN UNIVERSITY M.A GLASS DEGREE SHOW (kookmin univ, seoul, Korea)



2024. 03 Objects speak to you, KCDF window gallery, (seoul, Korea)



2023.10 The Geography of Objets , Cheongju Craft Biennale, (Cheongju, Korea)



2023.10 Taochuan Spring-Autumn Art Fair (Jingdezhen, China)



2023.05 KCDF Craft Week SOLUNA 일월상회  Irwolsanghoe  (65, Gajwa-ro, Seodaemun-gu, Seoul)



2023.05 ‘GLASS TO GLASS’ Glass Major Union Exhibition (Culture Manufacturing Gallery 5, Cheongju)



2023.04 Again, Letter to Nature (Culture Station Seoul 284, Seoul)






Honors


2023.11 Selecting 4 KCDF Star Products (Winning)


2023.10 Entry for the 12th Cheongju International Craft Competition


2022.07 Chungcheongbuk-do Crafts award silver prize


2021.12 Best Prize at the 18th  contemporary  Industrial Design Awards





Last Updated 25.06.31


Works
Profile

SONG INBEOM
04 Feb 1997 / Korea
inbom67@gmail.com
Instagram

Song Inbeom explores his connection to materials through a pictorial endeavor reminiscent of brushing paint onto a three-dimensional canvas. Song focuses on the material phenomena that occur in the process of stroking across a glass vase still charged with thermal energy, and his final works convey the sensory experience of this process. The strokes in his works are a medium that exists in relation to another space or realm, and the porous relationality between the two realms is embodied through the properties of glass. The vessels which bear witness to  brush strokes  capture the event of the encounter between one glass surface and another, as well as the viewer’s perception of the experience.  

> Practice 
> Works 
> CV 
고온에서 흐르는 유리를 다루며 선을 만든다. 손의 감각과 도구의 움직임, 온도의 리듬 속에서 순간적인 판단이 쌓이고, 선은 그 결과로 남는다. 반복되는 실험과 조율 속에서 선은 형태를 갖추고, 감정의 농도와 신체의 리듬을 함께 머금는다.

작업에는 도구와 그것을 다루는 신체의 리듬, 감각, 노동의 축적이 긴밀히 개입된다. 이 과정을 통해 비언어적인 사유가 형상화되며, 유리는 내면의 감정과 신체의 움직임이 교차하는 표현 매체로 자리 잡는다. 도구와 재료, 작가의 감각이 맞물려 끊임없이 변화하는 형태를 만들어내며, 이는 곧 작업의 본질이자 지속적인 탐구의 장이 된다. 반복과 즉흥, 고온과 냉각, 선과 감정의 결을 오가며, 유리는 ‘만드는 행위’ 자체의 깊이를 질문하는 물질로 자리한다.





Working with molten glass at high temperatures, lines are formed. The tactile sensitivity of the hand, the movement of the tools, and the rhythm of temperature converge in moments of spontaneous decision-making, leaving traces in the form of lines. Through repeated experimentation and fine-tuning, these lines take shape, embodying both the intensity of emotion and the rhythm of the body.

The process closely involves the rhythm of the body manipulating the tools, sensory perception, and the accumulation of labor. Through this, non-verbal contemplation is materialized, positioning glass as a medium where inner emotions and bodily movements intersect. The interplay of tools, materials, and the artist’s sensitivity continuously generates evolving forms, which in turn become the essence of the work and a field of ongoing inquiry. Traversing repetition and improvisation, heat and cooling, line and emotional texture, glass becomes a material that questions the very depth of the act of making.
“대면 (對面) - 한 획을 그으며 생기는 일”

잔잔한 열기를 내뿜던 공간에
한 뭉치 시끄러운 열이 내려앉는다
환한 빛을 내며 일렁이는 아우성은
단 한순간도 눈을 못 떼게 만든다


붓끝과 마주한 그들의 목소리는
점점 작아지고, 손끝은 무거워진다
결국 소리는 더이상 들리지 않았고
사물과 동시에 멈춘 나는 이내


정지된 사물의 현실과 마주한다

                       top